When you collect anything, you soon find that you cannot remember what you already have. Acquiring duplicates is a frustration for every collector and has turned many into dealers just to shed them. This frustration led to the decision to create a database of the collection. The purpose of the database was to produce a paper checklist easy enough to take to shows. We've met several collectors with lists of their cards, but none seemed to include enough information to avoid the dreaded duplicate. As the database evolved, it took on a life of its own. In order to save space in the checklist, shorthand terms evolved (see "card descriptions" below). When a duplicate slipped through, a new piece of information was added to plug the hole. Then we decided to make a scan of the picture side of each card. So now the albums could be safely stored and a look through the collection became a matter of keystrokes. But you can't lug a laptop to a postcard show and not every dinner guest wants to pour over the albums. As we both come out of the publishing industry with experience in database publishing on paper, we knew how cumbersome that route was. Internet publication was the solution. Hence this site.
CARD DESCRIPTIONSThe picture side of each card was scanned using an HP scanner. Many of the early scans show a brown line at the left, an unfortunate hangover from learning how to get a gang of cards to line up exactly vertical so they could be cropped quickly and put into the database. The major elements of the checklist have been carried over to the website. The title of the card has been transcribed exactly. So has the publisher's statement, although "/" has been inserted where a new line started. When "#" or "No." came before the publisher's card number, we dropped them. The H or V that showed the card's orientation in the checklist was very useful for the web designer in creating the page layout. The narrative description of the card in the checklist contains a description of the title - color and location in particular. We've dropped that for the website, since you can see it for yourself. Alas, our scanner has problems with small type sizes and type in red, so the title often does not show up well on the scans. While the picture side is displayed, there is no scan of the back of each card. As most of the time that is where the publisher's statement and the card's number appear, it is important to have this information. The location of these two elements is part of the description of the card. The style of the back of the card (divided or undivided) and the publisher's serial number are separate elements in the checklist, and appear here separately as well. Publishers have been creative with the backs of their cards from the beginning of picture postcards. While a few publishers gave no hint of themselves anywhere on the card (out of modesty or inexperience), most publishers used the backs to promote themselves. There is an entire website (here) devoted to the graphic design of the words "Post Card" on a card's back. And Albertype and Curt Teich among many others took advantage of the need for a dividing line between the message area and the address area on a divided back card to place their names. The description mentions these where they occur. We also include the color of ink used to print the back when it is other than black. You will find here what seem to be duplicates. They aren't, because we collect publisher variants. Because negatives were often sold by one publisher to another, the publisher imprint differs. But it also seems true that images were just copied - that is, stolen. There is a scholarly vacancy waiting to be filled by someone with the time to review these cards to determine priority. We have a number of cards from different publishers that show the identical image but where one has continuous color (probably printed by stone lithography in Germany or Great Britain) and the others have a tell-tale dot pattern, showing that the image was printed using the halftone process.
DON'T STEAL THESE CARDSWe resist as best we can attempts to copy the images on this site. You do not have our permission to copy them. A lot of time, effort, and knowledge have been invested in creating them. They are slightly smaller than the originals and were scanned at a very low resolution, suitable for the web but not for much else. We will be glad to supply you with a high-quality color copy of any card you would like, printed in photo-quality paper, for $5. Please provide our card number (which is displayed on each page) and enclose your check, made out to William Burton. Mail it to us at 56 Sherwood Avenue, Ossining, New York 10562.WE WANT TO IMPROVE THE COLLECTION AND THIS SITE We created this website for you to enjoy. As we get new cards, we will scan them and add them to the site. If you have a card or something else that you think we would like to add to the collection, please let us know. We respond quickly and will pay postage both ways if you will send on approval. Our wants are simple: We seek any view (both interior and exterior) in the form of a postcard, stereoview, magic lantern slide, or old photograph and meaningful ephemera with views, about
In addition, we are interested in views of certain other areas:
If you have reasonably-priced cards already in this collection that are in excellent condition (either mailed or unmailed), please let us know. More than 100 of the cards displayed here are in fair or poor condition. We bought them when we were getting started and had no idea if they were scarce or not. We are looking to upgrade the quality of even the most common cards. We appreciate receiving cards on approval, if possible. We respond quickly and pay postage both ways. Photocopies are also okay, but they are often too dark and of course the back of the card cannot be examined. To reach us via e-mail, write Bill.Burton@BurtonAndCompanyLLC.com. |